The series Souvenirs-Stations presents buildings with different features – they may have been abandoned or have a touristic or recreational function – which tend to isolate them from reality and make them similar to “things.” Although the buildings are taken from distinct environments, placing them in the same series brings out various trajectories across North America. Despite being absent from the images, the highway is indirectly present, acting as a latent structure, even as an agent of museumization. In this way, photography establishes a kind of collection, where these buildings of different categories are preserved: totems, effigies, knick-knacks, toys, fossils, shells. “Concentrations” of places, individuals, eras. Once photographed, left behind, turned into things, these places are seen as objects, as miniatures which one can contain after they have contained us.